Archived entries for HacerPlaza

Atmósfera y política

En su análisis del parlamento británico Paulo Tavares (2008) da cuenta de cómo la reconstrucción de éste a mediados del siglo XIX va acompañada de la implementación de toda una infraestructura de acondicionamiento para la cámara. El responsable de ello es David Boswell Reid, un médico y químico que diseña un sistema de ventilación destinado a mantener el aire dentro de la cámara en permanente movimiento evitando que se estanque. Reid pretende responder, por ejemplo, al cansancio de los diputados disminuyendo la temperatura interior de la sala cuando las sesiones son largas. El parlamento es concebido de esta manera como una cámara cuyo aire está controlado y en permanente movimiento para habilitar las condiciones del ejercicio político. Esa idea se lleva hasta el paroxismo cuando en el año 2004 el mismo parlamento considera la posibilidad de introducir un muro de cristal entre la cámara y la galería del público y un sistema de ventilación completamente autónomo como precaución ante un posible ataque químico. El diseño que se plantea haría completamente independiente y estanca a la cámara del exterior.

Asambleas al aire: la arquitectura ambulatoria de una política en suspensión —
Adolfo Estalella y Alberto Corsín Jiménez
.

Design for a Post-Neoliberal City | e-flux

Whether pessimistically or optimistically, it is at least interesting to note that design is again on the agenda in urban and political theory. Mouffe refers vaguely to design as a political tool for the construction of a common space, and Foster laments the lack of room for alternatives, but these could also be (mis)read as pleas for the design of a “stage for the imagination,” as Davis puts it. All of them could be considered as having in mind a kind of proto-design, producing fewer solutions (and new problems), but also social situations and processes enabling social imagination, debate, and conflict.

via Design for a Post-Neoliberal City by Jesko Fezer | e-flux.

#HacerPlaza — #GatherThePavement

cartel-rafaconcha.ai

The image shows 12 children playing in Prospect Place, Brooklyn. With chalk they have multiplied the pavement, they have turned it into a multidimensional field of relations and possibilities. The pavement, through its coarse but receptive horizontality, becomes fundamental actor in their game. Also temporal organizer, for we can imagine the rhythm of the game set by the use of the street by moving cars. Meanwhile, the parked ones create temporal boundaries, limits that become also in-between spaces for regaining one’s breath, for one-to-one exchanges. A boundary that becomes post of observation of the world unfolding within… Non-human bodies, cars, pavement, also the buildings, though not visible on the picture, we know the architecture of those Brooklyn streets. Not too tall houses and large windows that connect inside and outside in a constant dialogue that breaks any regulatory division between the private and the public. And of course, the children’s bodies, in this precise instant they are set in almost a perfect circle, but each of their positions implies an arrow of movement they are about to trace: flying with the arms opened, bent down, hands in the pavement, ready to start running, turning over oneself as a spinning top while following the movements around… And what about the nomos, the habits, the uses, the norms ruling this setting? They are inscribed into their movement as well. Into the rhythms of their game , both given by the negotiated nature of their pavement-board, but also by the time of day. Their activity is part of a background temporality, an everyday continuity. And we have Schmitt’s exception as well, for they have created a sphere of sovereignty in game. They are masters of this bounded space. They control its possible movements and rules through the constant renegotiation of their action. And so on… Just as Georges Perec did with his Attempt at Exhausting a Place in Paris, we need to exhaust these situations. Perform their anatomic study through a kind of spatial forensics in which bodies’ agency, common disposition and constant materialization unfold.

Extract from the paper presented at the
Law&Boundaries Conference at SciencesPo.



Copyright © 2004–2009. All rights reserved.

RSS Feed. This blog is proudly powered by Wordpress and uses Modern Clix, a theme by Rodrigo Galindez.